The Writing Life

Book Description :

Selected from thousands of pages of the daily journals of George Fetherling - the inexhaustible novelist, poet, and cultural commentator - The Writing Life reveals an astute and candid observer of his contemporaries as well as himself. Hundreds of figures in the arts and public life crisscross the pages of Fetherling's journals, from Margaret Atwood and Marshall McLuhan, to Gwendolyn MacEwen and Conrad Black. The book begins in mid-1970s Toronto, a time of cultural ferment, and carries on to Vancouver and a new century. A captivating and intimate narrative, The Writing Life provides a compelling portrait of the last three decades of Canadian cultural life. From the book: Tuesday 4 February 1992 / Toronto Early this morning the latest in a series of strange phone calls from Edmund Carpenter in New York to discuss successive versions of his Canadian Notes & Queries piece on Marshall McLuhan. He falls to reminiscing and at one point says: "Marshall always reminded me of that passage in Boswell in which Boswell says that if you chanced to take shelter from a rain storm for a few minutes in Dr Johnson's company, you would come away convinced that you had just met the smartest man in the world. Marshall was like that too. Of course, if you spent an hour with Marshall, well, that was something quite different."

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Contemporary writers address questions of craft, art, audience, and culture

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Celebrated author Ellen Gilchrist has played many roles-writer and speaker, wife and lover, mother and grandmother. But she never tackled the role of teacher. Offered the opportunity to teach creative writing at the University of Arkansas, she took up the challenge and ventured into unknown territory. In the process of teaching more than two hundred students since her first class in 2000, she has found inspiration in their lives and ambitions and in the challenge of conveying to them the lessons she has learned from living and writing. The Writing Life brings together fifty essays and vignettes centered on the transforming magic of literature and the teaching and writing of it. A portion of the collection discusses the delicate balance between an artistic life and family commitments, especially the daily pressures and frequent compromises faced by a young mother. Gilchrist next focuses on the process of writing itself with essays ranging from "How I Wrote a Book of Short Stories in Three Months" to "Why Is Rewriting so Hard?" Several essays discuss her appreciation of other writers, from Shakespeare to Larry McMurtry, and the lessons she learned from them. Eudora Welty made an indelible impact on Gilchrist's work. When Gilchrist takes on the task of teaching, her essays reveal an enriched understanding of the role writing plays in any life devoted to the craft. Humorous and insightful, she assesses her own abilities as an instructor and confronts the challenge of inspiring students to attain the discipline and courage to pursue the sullen art. Some of these pieces have been previously published in magazines, but most are unpublished and all appear here in book form for the first time.

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Like real life, the writing life is filled with contradictions and perplexities. The world of commercial publishing is counterintuitive and writers dive in weighed down with misconceptions, delusions, and unrealistic expectations. Perhaps because most of us write in some form every day we believe we can—and should—write a book. We also assume writing is the hard part and once our manuscript is finished publishers will line up for the privilege of delivering it to the world. This is why many people who say they want to write really mean they want to have written. This volume offers a sober perspective on the writing life: what writing for money is really about and what you need to be prepared to do in order to endure its rigors. Once you understand what’s actually going on, you’ll be able to steer a clear-headed course as you participate in the great conversation. And you’ll come out the other side with your sanity—and dreams—intact.

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The desire to create, to write, to fulfil our artistic dreams is a powerful human need. Yet the number of people who make a living solely by their pen is actually quite small. What does that mean for the rest of us, the self-described writing geeks, who are passionate about writing and who still want to sustain successful literary lives? What does it really mean to find time to build a rewarding writing life while pursuing a career, being a partner or raising a family, in the distracted, time-deprived, 21st-century? In The Geek's Guide to the Writing Life, based on her Huffington Post blog of the same name, Stephanie Vanderslice shares the secrets and tools to developing a successful, rewarding writing practice in a way that inspires the reader to persevere through the inevitable lows and even the highs of a literary life, so that anyone can pursue the path to realizing their artistic dreams.

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In this memoir, novelist Craig Nova explores the interconnections between his work as a writer, his personal life, and his passion for fly-fishing. Nova leads the reader into his courtship, marriage, the birth of his children, and his life as a father, husband, writer, friend, citizen, and angler. Just as the author observes the life of the elusive and beautiful brook trout in the tea-colored streams, he finds interconnections to his daily lifehe teaches his daughter to build an igloo; he deals with the disappointment of a very public mean-spirited review of his much-anticipated novel; he gazes at his wife-to-be in her hammock by a stream; he finds himself the victim of a random blackmailer. Unpredictable and keenly observed, Nova leads us through the terrain of the life of an artist. The one constant is the stream and the brook trout which offer both respite from the demands of his life and a wellspring of inspiration and strength. It is a paean to nature and the beauty of the brook trout.

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Robert R. Bataille demonstrates convincingly that between 1767 and 1777, Anglo-Irish writer Hugh Kelly made major contributions in three areas of British culture: politics, journalism, and theater. Bataille shows how all three activities were integrated in Kelly's life, suggesting that such interrelationships often existed in the rough and ready London culture during the early reign of King George III. When he discovered several newspaper campaigns that Kelly orchestrated as a paid political propagandist for George III and his ministers, Bataille understood in part how important Kelly was to his era. In his capacity as propagandist, Kelly defended Hanoverian colonial policies on the eve of the American Revolution, served as a key opponent of the radical Wilkites, and promoted the acceptance of the 1774 Quebec Bill, which established, among other things, the right of the recently defeated French citizens of Quebec to maintain the French language. A belletristic journalist, Kelly published theater reviews and essays that played a major role in shaping the taste of his era. He wrote in defense of the controversial sentimental drama, and whenever he could, he promoted the major theatrical figure of the age, David Garrick. Under his editorship, the newspaper Public Ledger became a leading source of theater information. Seeking to raise the status of the profession of journalism, he wrote essays and articles that provided his middle-class readers with an insider's view of the operations of the journalist. Assessing Kelly's contributions to the novel and drama, Bataille argues that this powerful journalist stands in the vanguard in the larger struggle against traditional attitudes supporting male superiority and aristocratic privilege. Kelly wrote in favor of gender equality and middle-class respectability, striving to inculcate what modern scholars refer to as the values of sensibility. Bataille also argues, however, that Kelly knew his audience. Instrumental in the rise of professional writing and popular culture, he understood that he had to observe the needs of his audience, detecting cultural trends and using the skills of the rhetorician.

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Elizabeth George is one of the most successful writers of crime fiction in the world. All her novels have appeared on bestseller lists in the UK, USA and Australia and several of them have been adapted for television by the BBC as the Inspector Lynley Mysteries. She has also written a collection of short stories and edited two crime anthologies. Now she shares this wealth of experience with would-be novelists and with crime fiction fans. Drawing extensively on her own work, and that of other bestselling writers including Stephen King, Harper Lee, Dennis Lehane and many others, she illustrates her points about plotting, characterisation and technique with great clarity. She also includes extracts from her own Journals - the diaries she keeps as she writes each of her novels - and these give us an unprecedented insight ino the creative mind, with all its highs and lows.

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For those who write and those who want to, a book on the joys and fascinations of the literary life by an author whose work has pleased millions.

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What if everything we have been taught about learning to write was wrong? In The Right to Write, Julia Cameron's most revolutionary book, the author of the bestselling self-help guide The Artist's Way, asserts that conventional writing wisdom would have you believe in a false doctrine that stifles creativity. With the techniques and anecdotes in The Right to Write, readers learn to make writing a natural, intensely personal part of life. Cameron's instruction and examples include the details of the writing processes she uses to create her own bestselling books. She makes writing a playful and realistic as well as a reflective event. Anyone jumping into the writing life for the first time and those already living it will discover the art of writing is never the same after reading The Right to Write.

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In her groundbreaking book The Right to Write, Julia Cameron dismantled the mythology surrounding the writing life in our culture. Tackling issues such as time, mood, inspiration, and support, she revealed that writing is in fact a natural-and crucial-part of life. Questions of how, when, and why yielded to the virtual tool kit of strategies, tips, and tools she provides in this extremely valuable book. With The Writer's Life, Cameron's pivotal insights and pointers are distilled in a tiny, portable companion that will help readers lead a writer's life more easily, joyfully, and powerfully.

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Do you want to write but have no idea where to start? Building a Writing Life is the beginner writer’s guide you’ve been looking for! You want to be a writer. You want to start a writing habit, share your story, and make some real progress on your writing dreams. You want to find time to write and make room in your life for everything from daily journaling to writing books and beyond. You want to build a writing life. But how do you start? Building a Writing Life is a straightforward, step-by-step guide to integrating writing into your life so you can make steady progress on your goals. Whether you write for personal reasons or dream of more commercial success, you CAN fit writing into your already busy life. With simple, actionable steps you can start taking today, this easy-to-read guide will take you from an aspiring writer to the real deal. In this book, you’ll… • Make the mental commitment to your writing dreams. • Conquer your fears and doubts to start the story of your heart. • Discover and nurture ideas. • Build a regular writing habit. • Motivate yourself to write on days when you don’t feel like it. • Find and make room in your schedule, even if there’s no time to write. • Battle distractions and productively use your writing time. • Discover your ideal writing circumstances and how to think outside the textbox when they aren’t available. • Fine-tuning your writing process by setting better goals and embracing what works for you. … and, most important of all… • Become a real writer at last!

Book Description :

Learn how to take your work to the next level with this informative guide on the craft, business, and lifestyle of writing With warmth and humor, Paulette Perhach welcomes you into the writer’s life as someone who has once been on the outside looking in. Like a freshman orientation for writers, this book includes an in-depth exploration of all the elements of being a writer—from your writing practice to your reading practice, from your writing craft to the all-important and often-overlooked business of writing. In Welcome to the Writer’s Life, you will learn how to tap into the powers of crowdsourcing and social media to grow your writing career. Perhach also unpacks the latest research on success, gamification, and lifestyle design, demonstrating how you can use these findings to further improve your writing projects. Complete with exercises, tools, checklists, infographics, and behind-the-scenes tips from working writers of all types, this book offers everything you need to jump-start a successful writing life.

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Create Your Writer's Life offers a coaching approach to develop a writing practice that actually works. Finally, a resource that allows you to do it your way, and that works.

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For anyone who loves great literature -- or aspires to write it -- this is an essential collection, full of insight, wisdom, humour, and candour from Canada's most important and beloved literary figures. For the past twenty-five years, the Writers' Trust of Canada's annual lecture series, the Margaret Laurence Memorial Lecture, has invited some of Canada's most prominent authors to discuss the theme of "A Writer's Life" in front of their peers. Hugh MacLennan, Mavis Gallant, Timothy Findley, W.O. Mitchell, Pierre Berton, P.K. Page, Dorothy Livesay, Alistair MacLeod, and Margaret Atwood, among others, have shared the personal challenges they faced in forging their own paths as writers, at a time when such a career was still unusual in this country. Intimate, frank, and revealing in tone, their lectures -- collected for the first time in celebration of the series' twenty-fifth anniversary -- provide a unique account of a period when a national writing community was just being formed, and give us unprecedented access to the heroes and heroines of Canadian literature as they share their insights into their work, the profession of writing, the growing canon of our literature, and the cultural history of our country.

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"Writing Life Histories" is a practical handbook which gives clear guidance on how to put together life histories in supportive or residential settings. It provides: step-by-step guidance; ideas for different types of life histories; activities, strategies and material for prompting memories; helpful tools and writing tips; suggestions for support and forming partnerships with other local services; ideas for involving the person's family and friends; and, discussion on ethical issues to be considered. The benefits of engaging a group or an individual in life history activities include - an aid to memory; creative stimulation; a personalised identity when in a residential home; promotion of interaction and co-operation with others; and, continuity with previous life experience thus combating loss of identity as well as an excellent opportunity to pass on knowledge and experience to others. For staff knowing about past experiences will promote an understanding of behaviour, needs and outlook on life resulting in more personalised care. Staff have references for conversation with cognitive impaired individuals and knowledge about life accomplishments which promotes respect for individuals. This is an indispensible resource for anyone interested in compiling life histories including nurses, residential home staff, carers, tutors and occupational therapists, group facilitators in day centres, clubs for the elderly or learning disabilities.

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Phillip Caputo, Larry Heinemann, Tim O’Brien, and Robert Olen Butler: four young midwestern Americans coming of age during the 1960s who faced a difficult personal decision—whether or not to fight in Vietnam. Each chose to participate. After coming home, these four veterans became prizewinning authors telling the war stories and life stories of soldiers and civilians. The four extended conversations included in Writing Vietnam, Writing Life feature revealing personal stories alongside candid assessments of each author’s distinct roles as son, soldier, writer, and teacher of creative writing. As Tobey Herzog's thoughtful interviews reveal, these soldier-authors have diverse upbringings, values, interests, writing careers, life experiences, and literary voices. They hold wide-ranging views on, among other things, fatherhood, war, the military, religion, the creative process, the current state of the world, and the nature of both physical and moral courage. For each author, the conversation and richly annotated chronology provide an overview of the writer’s life, the intersection of memory and imagination in his writing, and the path of his literary career. Together, these four life stories also offer mini-tableaux of the fascinating and troubling time of 1960s and 1970s America. Above all, the conversations reveal that each author is linked forever to the Vietnam War, the country of Vietnam, and its people.

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Download New and Experimental Approaches to Writing Lives book written by Jo Parnell, available in PDF, EPUB, and Kindle, or read full book online anywhere and anytime. Compatible with any devices.

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“William Zinsser turns his zest, warmth and curiosity—his sharp but forgiving eye—on his own story. The result is lively, funny and moving, especially for anyone who cares about art and the business of writing well.” —Evan Thomas, Newsweek In Writing Places, William Zinsser—the author of On Writing Well, the bestseller that has inspired two generations of writers, journalists, and students—recalls the many colorful and instructive places where he has worked and taught. Gay Talese, author of A Writer’s Life, calls Writing Places, “Wonderful,” while the Pittsburgh Post-Gazette praises this unique memoir for possessing “all the qualities that Zinsser believes matter most in good writing—clarity, brevity, simplicity and humanity.”

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How to Make Memories into Memoirs, Ideas into Essays, and Life into Literature From drawing a map of a remembered neighborhood to signing a form releasing yourself to take risks in your work, Roorbach offers innovative techniques that will trigger ideas for all writers. Writing Life Stories is a classic text that appears on countless creative nonfiction and composition syllabi the world over. This updated 10th anniversary edition gives you the same friendly instruction and stimulating exercises along with updated information on current memoir writing trends, ethics, internet research, and even marketing ideas. You'll discover how to turn your untold life stories into vivid personal essays and riveting memoirs by learning to open up memory, access emotions, shape scenes from experience, develop characters, and research supporting details. This guide will teach you to see your life more clearly and show you why real stories are often the best ones.