The Salem Witch Hunt

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During the Salem witch trials, more than 150 people -- primarily women -- from 24 communities were charged with witchcraft; 19 were hanged and others died in prison. This book explores the beliefs, fears, and historical context that fueled the witch panic of 1692. The documents in this volume illuminate how the Puritans' worldview led them to seek a supernatural explanation for the problems vexing their community. Presented as case studies, the records from several trials offer a clear picture of the gender norms and social tensions that underlie the witchcraft accusations.

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Sifting through the facts, myths, and half-truths surrounding the 1692 witch trials in Salem, Massachusetts, a historian draws on primary sources to explore the events of that time.

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Decades after witch-hunting had begun to die down in Europe, North America was about to witness its bloodiest witch hunt in history. The Massachusetts of 1692 was a very different one to the state we know today. Populated by colonists, many of them a generation or less from life in an England bathed in religious turmoil,

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Describes the witch hunt that took place in Stamford, Connecticut, in 1692, detailing the story of Kate Branch, a seventeen-year-old afflicted by strange visions and given to wails of pain and fright, who accused several women of bewitching her.

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Salem Witchcraft is one of the most famous books published on the Salem Witch Trials. Author Charles Upham was a foremost scholar on the subject, as well as a Massachusetts senator. Only volume one of the series is included in this Anthology.

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Salem witchcraft will always have a magnetic pull on the American psyche. During the 1692 witch trials, more than 150 people were arrested. An estimated 25 million Americans—including author Diane Foulds—are descended from the twenty individuals executed. What happened to our ancestors? Death in Salem is the first book to take a clear-eyed look at this complex time, by examining the lives of the witch trial participants from a personal perspective. Massachusetts settlers led difficult lives; every player in the Salem drama endured hardships barely imaginable today. Mercy Short, one of the “bewitched” girls, watched as Indians butchered her parents; Puritan minister Cotton Mather outlived all but three of his fifteen children. Such tragedies shaped behavior and, as Foulds argues, ultimately played a part in the witch hunt’s outcome. A compelling “who’s who” to Salem witchcraft, Death in Salem profiles each of these historical personalities as it asks: Why was this person targeted?

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This book looks beyond single-factor interpretations to offer a far more nuanced view of why the Salem witch-hunt spiraled out of control. Rather than assigning blame to a single perpetrator, Ray assembles portraits of several major characters, each of whom had complex motives for accusing his or her neighbors. In this way, he reveals how religious, social, political, and legal factors all played a role in the drama.

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This book offers a comprehensive record of legal documents written in 1692 and 1693 in connection with the Salem witch trials. It is the most comprehensive edition of those records ever published, and includes for the first time the records in chronological order, all newly transcribed from the original manuscripts

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Witch hunts are the products of intense fear and paranoia and the results are often terrible. The accused in three famous witchcraft cases - in Bamberg and Wurzburg, Germany, in Loudun, France, and in Salem, Massachusetts - were assumed to be guilty without proof. Secret accusations were accepted, evidence was falsified, and extreme pressures, including torture, were used. Arguing that fear was, and still is, a prerequisite to any witch hunt, Robert Rapley shows that the current hunt for terrorists mirrors the witch crazes of the past.

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The Pulitzer Prize-winning author of Cleopatra, the #1 national bestseller, unpacks the mystery of the Salem Witch Trials. It began in 1692, over an exceptionally raw Massachusetts winter, when a minister's daughter began to scream and convulse. It ended less than a year later, but not before 19 men and women had been hanged and an elderly man crushed to death. The panic spread quickly, involving the most educated men and prominent politicians in the colony. Neighbors accused neighbors, parents and children each other. Aside from suffrage, the Salem Witch Trials represent the only moment when women played the central role in American history. In curious ways, the trials would shape the future republic. As psychologically thrilling as it is historically seminal, THE WITCHES is Stacy Schiff's account of this fantastical story-the first great American mystery unveiled fully for the first time by one of our most acclaimed historians.

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This comprehensive resource explores the evolution of western attitudes towards religion, politics, and the supernatural, which intersected to spawn the notorious witch hunts in Europe and the New World.

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This superb documentary collection illuminates the history of witchcraft and witch-hunting in seventeenth-century New England. The cases examined begin in 1638, extend to the Salem outbreak in 1692, and document for the first time the extensive Stamford-Fairfield, Connecticut, witch-hunt of 1692–1693. Here one encounters witch-hunts through the eyes of those who participated in them: the accusers, the victims, the judges. The original texts tell in vivid detail a multi-dimensional story that conveys not only the process of witch-hunting but also the complexity of culture and society in early America. The documents capture deep-rooted attitudes and expectations and reveal the tensions, anger, envy, and misfortune that underlay communal life and family relationships within New England’s small towns and villages. Primary sources include court depositions as well as excerpts from the diaries and letters of contemporaries. They cover trials for witchcraft, reports of diabolical possessions, suits of defamation, and reports of preternatural events. Each section is preceded by headnotes that describe the case and its background and refer the reader to important secondary interpretations. In his incisive introduction, David D. Hall addresses a wide range of important issues: witchcraft lore, antagonistic social relationships, the vulnerability of women, religious ideologies, popular and learned understandings of witchcraft and the devil, and the role of the legal system. This volume is an extraordinarily significant resource for the study of gender, village politics, religion, and popular culture in seventeenth-century New England.

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Starkey's devil in Massachusetts and the Post-World War II consensus -- Boyer and Nissenbaum's Salem possessed and the anti-capitalist critique -- An aside: investigations into the practice of actual witchcraft in seventeenth-century New England -- Demos's entertaining satan and the functionalist perspective -- Karlsen's devil in the shape of a woman and feminist interpretations -- Norton's in the devil's snare and racial approaches, I -- Norton's in the devil's snare and racial approaches, II

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The Salem Witch Trials is based on over twenty-five years of archival research--including the author's discovery of previously unknown documents--newly found cases and court records. From January 1692 to January 1697 this history unfolds a nearly day-by-day narrative of the crisis as the citizens of New England experienced it.

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The first complete account of the largest supernatural crisis in American history, the long overlooked phase of the largest witch hunt in American history, and how ordinary citizens brought it to a close.

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"The Crucible" is a 1952 play by the American playwright Arthur Miller. It is a dramatization of the Salem witch trials that took place in the Province of Massachusetts Bay during 1692 and 1693. Miller wrote the play as an allegory of McCarthyism, when the US government blacklisted accused communists. Miller himself was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of "contempt of Congress" for refusing to identify others present at meetings he had attended. It was first performed at the Martin Beck Theater on Broadway on January 22, 1953. Miller felt that this production was too stylized and cold and the reviews for it were largely hostile (although The New York Times noted "a powerful play in a driving performance"). Nonetheless, the production won the 1953 "Best Play" Tony Award. A year later a new production succeeded and the play became a classic. It is a central work in the canon of American drama. Fuji Books' edition of "The Crucible" contains supplementary texts: * "Tragedy And The Common Man", an essay by Arthur Miller. * Excerpts from Nathaniel Hawthorne's magnus opus "The Scarlet Letter", a narrative of the Salem Witch trials. * A few selected quotes of Arthur Miller.

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Abigail Accused steps into life in the Puritan village of Andover and reveals the callous truth of what has become one of many landmark cases against injustice during the Salem Witch Trials. Abigail Dane Faulkner, daughter of the town¿s respected minister, was convicted of witchcraft in 1692 and condemned to die. Her story is based on eye-witness accounts and 17th century documents. How did the people of Massachusetts Bay Colony become victims of the fear and religious fanaticism that led to the arrests of nearly 200 citizens and the executions of 20 innocents? Why did Abigail's own family¿her own daughters¿testify against her? Mofford brings to life the dramatic realities of the period and the events of daily life along with events such as courtship, marriage, the sin of fornication, childbirth, poverty, and terrifying attacks by Native Americans upon this frontier community. Abigail¿s abiding love for her husband, Francis Faulkner, sustained him through bouts of what we recognize today as Post Traumatic Stress Disorder.Abigail Accused is the historical revelation of how one wife and mother, alongside her minister father, fought bigotry and helped bring an end to the deadly witch hunts. Petitions by father and daughter are landmark documents of free speech and remind us all of the ongoing struggle for human rights.

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About the Salem Witch Hunt which took place in Massachusetts in 1692.

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Can she save herself from a witch's fate? Martha is a feisty and articulate young woman, the daughter of a wheelwright, living in a Herefordshire village in Elizabethan England. With no mother Martha's life is spent running her father's meagre household and helping out at the local school whilst longing to escape the confines and small-mindedness of a community driven by religious bigotry and poverty. As she is able to read and is well-versed in herbal remedies she is suspected of being a witch. When a landslip occurs - opening up a huge chasm in the centre of the village - she is blamed for it and pursued remorselessly by the villagers. But can her own wits and the love of local stablehand Jacob save her from a witch's persecution and death... A brilliant and accomplished novel that perfectly captures the febrile atmosphere of Elizabethan village life in an age when suspicion and superstition were rife. Perfect for fans of Tracy Chevalier. Praise for The Wheelwright's Daughter: 'It's a gripping story and such accomplished writing. I really enjoyed every moment of working on it.' Yvonne Holland, editor of Philippa Gregory and Tracy Chevalier

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The Salem witch trials remain one of the most shocking and studied episodes in American history. Within the span of 15 months, the legal proceedings around the trials swept up at least 144 people, secured the confessions of 54 individuals and led to the execution of 20, mostly women. The hysteria and the accusations reached far beyond the geographic limits of Salem Village, eventually engulfing more than 20 towns and villages in the vicinity. Now, in this Special Edition from TIME-LIFE -The Salem Witch Trials- readers can revisit the witch trials, study their European origins and understand "the climate of fear" both then and now. This Special Edition is also full of historic photographs and images of Salem, the participants, and more, and a special section devoted to modern witchcraft and witches in the movies and on television.