Shrill

Book Description :

Lindy West wasn't always loud. She was once a nerdy, overweight teen who wanted nothing more than to be invisible. Fortunately for women everywhere, along the road she found her voice, and that cripplingly shy girl, who refused to make a sound, somehow grew up to be one of the loudest, shrillest, most fearless feminazis on the internet. Here, she recounts how she went from being the butt of people's jokes, to telling her own brand of jokes - ones that carry with them with a serious message and aren't at someone else's expense.

Book Description :

*CATCH THE TV ADAPTATION OF SHRILL ON BBC3 NOW* 'Women are told, from birth, that it's our job to be small: physically small, small in our presence, and small in our impact on the world. We're supposed to spend our lives passive, quiet and hungry. I want to obliterate that expectation...' Guardian columnist Lindy West wasn't always loud. It's difficult to believe she was once a nerdy, overweight teen who wanted nothing more than to be invisible. Fortunately for women everywhere, along the road she found her voice - and how she found it! That cripplingly shy girl who refused to make a sound, somehow grew up to be one of the loudest, shrillest, most fearless feminazis on the internet, making a living standing up for what's right instead of what's cool. In Shrill, Lindy recounts how she went from being the butt of people's jokes, to telling her own brand of jokes - ones that carry with them with a serious message and aren't at someone else's expense. She reveals the obstacles and stereotyping she's had to overcome to make herself heard, in a society that doesn't think women (especially fat women and feminists) are or can be funny. She also tackles some of the most burning issues of popular culture today, taking a frank and provocative look at racism, oppression, fat-shaming, twitter-trolling and even rape culture, unpicking the bullshit and calling out unpalatable truths with conviction, intelligence and a large dose of her trademark black humour. 'Lindy West is an essential (and hilarious) voice for women. Her talent and bravery have made the Internet a place I actually want to be.' Lena Dunham

Book Description :

Shrill is an uproarious memoir, a feminist rallying cry in a world that thinks gender politics are tedious and that women, especially feminists, can't be funny. Coming of age in a culture that demands women be as small, quiet, and compliant as possible -- like a porcelain dove that will also have sex with you -- writer and humoristLindy West quickly discovered that she was anything but. From a painfully shy childhood in which she tried, unsuccessfully, to hide her big body and even bigger opinions; to her public war with stand-up comedians over rape jokes; to her struggle to convince herself, and then the world, that fat people have value; to her accidental activism and never-ending battle royale with Internet trolls, Lindy narrates her life with a blend of humor and pathos that manages to make a trip to the abortion clinic funny and wring tears out of a story about diarrhea. With inimitable good humor, vulnerability, and boundless charm, Lindy boldly shares how to survive in a world where not all stories are created equal and not all bodies are treated with equal respect, and how to weather hatred, loneliness, harassment, and loss, and walk away laughing. Shrill provocatively dissects what it means to become self-aware the hard way, to go from wanting to be silent and invisible to earning a living defending the silenced in all caps.

Book Description :

In Shrill Hurrahs, Kate Gillin presents a new perspective on gender roles and racial violence in South Carolina during Reconstruction and the decades after the 1876 election of Wade Hampton as governor. In the aftermath of the Civil War, southerners struggled to either adapt or resist changes to their way of life. Gillin accurately perceives racial violence as an attempt by white southern men to reassert their masculinity, weakened by the war and emancipation, and as an attempt by white southern women to preserve their antebellum privileges. As she reevaluates relationships between genders, Gillin also explores relations within the female gender. She has demonstrated that white women often exacerbated racial and gender violence alongside men, even when other white women were victims of that violence. Through the nineteenth century, few bridges of sisterhood were built between black and white women. Black women asserted their rights as mothers, wives, and independent free women in the postwar years, while white women often opposed these assertions of black female autonomy. Ironically even black women participated in acts of intimidation and racial violence in an attempt to safeguard their rights. In the turmoil of an era that extinguished slavery and redefined black citizenship, race, not gender, often determined the relationships that black and white women displayed in the defeated South. By canvassing and documenting numerous incidents of racial violence, from lynching of black men to assaults on white women, Gillin proposes a new view of postwar South Carolina. Tensions grew over controversies including the struggle for land and labor, black politicization, the creation of the Ku Klux Klan, the election of 1876, and the rise of lynching. Gillin addresses these issues and more as she focusses on black women’s asserted independence and white women’s role in racial violence. Despite the white women’s reactionary activism, the powerful presence of black women and their bravery in the face of white violence reshaped southern gender roles forever.

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So much to read, so little time? Each volume in the Worth Books catalog presents a summary and analysis to help you stay informed in a busy world, whether you’re managing your to-read list for work or school, brushing up on business strategies on your commute, preparing to wow at the next book club, or continuing to satisfy your thirst for knowledge. Get ready to be edified, enlightened, and entertained—all in about 30 minutes or less!

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Book Description :

In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era. This is a witch hunt. We're witches, and we're hunting you. From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You've got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history. West writes, "We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form—like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'—white American voters shoved an incompetent, racist con man into the White House." We cannot understand how we got here‚—how the land of the free became Trump's America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

Book Description :

We all know the story of the “selfless” tree that gave all she had just to make sure a young boy was “happy.” This is a different tree. This is a different boy. This is a very different book. The Taking Tree is not pleased when the boy takes her twigs to pick on his sister, or when he cuts off her branches to build a house that he burns for insurance money. And the boy is not sorry at all. Ever. In fact, he’s kind of a jerk. So what happens when the tree finally gets fed up? Let’s just say the story doesn’t end sweetly with an old man sitting on a stump.

Book Description :

Charley is a cleaner by day and a professional gambler by night. She might be haunted by her tragic past but she's never thought of herself as anything or anyone special. Until, that is, things start to go terribly wrong all across the city of Manchester. Between plagues of rats, firestorms and the gleaming blue eyes of a sexy Scottish werewolf, she might just have landed herself in the middle of a magical apocalypse. She might also be the only person who has the ability to bring order to an utterly chaotic new world. This is the first book in The City Of Magic series.

Book Description :

One of the "Best Books of 2020" by NPR's Book Concierge **Your Favorite Movies, Re-Watched** New York Times opinion writer and bestselling author Lindy West was once the in-house movie critic for Seattle's alternative newsweekly The Stranger, where she covered film with brutal honesty and giddy irreverence. In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?! From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook. Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.

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A New York Times Bestseller “A charming story about finding a safe place to let your freak flag fly.” —People “Young readers who have ever felt too big or been made to feel small will feel just right in the cheerful glow of Weiner’s contemporary fairy tale.” —The New York Times Book Review From #1 New York Times bestselling author Jennifer Weiner comes a “smartly crafted” (BCCB) and “heartwarming” (School Library Journal) tale of friendship, furry creatures, and finding the place where you belong. Alice Mayfair, twelve years old, slips through the world unseen and unnoticed. Ignored by her family and shipped off to her eighth boarding school, Alice would like a friend. And when she rescues Millie Maximus from drowning in a lake one day, she finds one. But Millie is a Bigfoot, part of a clan who dwells deep in the woods. Most Bigfoots believe that people—NoFurs, as they call them—are dangerous, yet Millie is fascinated with the No-Fur world. She is convinced that humans will appreciate all the things about her that her Bigfoot tribe does not: her fearless nature, her lovely singing voice, and her desire to be a star. Alice swears to protect Millie’s secret. But a league of Bigfoot hunters is on their trail, led by a lonely kid named Jeremy. And in order to survive, Alice and Millie have to put their trust in each other—and have faith in themselves—above all else.

Book Description :

Smart, edgy, hilarious, and unabashedly raunchy New York Times bestselling author Samantha Irby explodes onto the printed page in her uproarious first collection of essays. Irby laughs her way through tragicomic mishaps, neuroses, and taboos as she struggles through adulthood: chin hairs, depression, bad sex, failed relationships, masturbation, taco feasts, inflammatory bowel disease and more. Updated with her favorite Instagramable, couch-friendly recipes, this much-beloved romp is treat for anyone in dire need of Irby's infamous, scathing wit and poignant candor.

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In recent years the media have reported on the increasing use of genetically modified crops in agriculture. This text focuses attention on the less discussed issues of the potential benefits of genetically modified crops for developing countries.

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A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance. First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern classics. Now fully revised and updated, this educational edition includes chapter summaries, comprehension questions, discussion points, classroom activities, a biographical profile of Golding, historical context relevant to the novel and an essay on Lord of the Flies by William Golding entitled 'Fable'. Aimed at Key Stage 3 and 4 students, it also includes a section on literary theory for advanced or A-level students. The educational edition encourages original and independent thinking while guiding the student through the text - ideal for use in the classroom and at home.

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Download Walker and Webster combined in a dictionary of the English language book written by John Longmiur, available in PDF, EPUB, and Kindle, or read full book online anywhere and anytime. Compatible with any devices.