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The Japanese Film

The Japanese Film Book
Author : Joseph L. Anderson,Donald Richie
Publisher : Princeton University Press
Release : 2018-06-05
ISBN : 0691187460
Language : En, Es, Fr & De

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Book Description :

Tracing the development of the Japanese cinema from 1896 (when the first Kinetoscope was imported) through the golden ages of film in Japan up to today, this work reveals the once flourishing film industry and the continuing unique art of the Japanese film. Now back in print with updated sections, major revaluations, a comprehensive international bibliography, and an exceptional collection of 168 stills ranging over eight decades, this book remains the unchallenged reference for all who seek a broad understanding of the aesthetic, historical, and economic elements of motion pictures from Japan.

Film Art Connect Access Card

Film Art Connect Access Card Book
Author : Anonim
Publisher : Unknown
Release : 2021-04-19
ISBN : 9781259673955
Language : En, Es, Fr & De

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Book Description :

Download Film Art Connect Access Card book written by , available in PDF, EPUB, and Kindle, or read full book online anywhere and anytime. Compatible with any devices.

Film as Art

Film as Art Book
Author : Rudolf Arnheim
Publisher : Univ of California Press
Release : 1957
ISBN : 9780520248373
Language : En, Es, Fr & De

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Book Description :

“More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts

American Film Institute 1974 Hearing Before the Special Subcommittee on Arts and Humanities Of 93 2 Dec 11 1974

American Film Institute  1974  Hearing Before the Special Subcommittee on Arts and Humanities Of     93 2  Dec  11  1974 Book
Author : United States. Congress. Senate. Committee on Labor and Public Welfare
Publisher : Unknown
Release : 1975
ISBN : 0987650XXX
Language : En, Es, Fr & De

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Book Description :

Download American Film Institute 1974 Hearing Before the Special Subcommittee on Arts and Humanities Of 93 2 Dec 11 1974 book written by United States. Congress. Senate. Committee on Labor and Public Welfare, available in PDF, EPUB, and Kindle, or read full book online anywhere and anytime. Compatible with any devices.

Film Art An Introduction

Film Art  An Introduction Book
Author : Kristin Thompson,David Bordwell
Publisher : McGraw-Hill Education
Release : 2012-07-06
ISBN : 9780073535104
Language : En, Es, Fr & De

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Book Description :

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by examples from many periods and countries, the authors help students develop a core set of analytical skills that will enrich their understanding of any film, in any genre. In-depth examples deepen students' appreciation for how creative choices by filmmakers affect what viewers experience and how they respond. Film Art is generously illustrated with more than 1,000 frame enlargements taken directly from completed films, providing concrete illustrations of key concepts. Along with updated examples and expanded coverage of digital filmmaking, the tenth edition also offers Connect for Film Art, a digital solution that includes multimedia tutorials along with web-based assignment and assessment tools.

American Film Institute 1974

American Film Institute  1974 Book
Author : United States. Congress. Senate. Committee on Labor and Public Welfare. Special Subcommittee on Arts and Humanities
Publisher : Unknown
Release : 1975
ISBN : 0987650XXX
Language : En, Es, Fr & De

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Book Description :

Download American Film Institute 1974 book written by United States. Congress. Senate. Committee on Labor and Public Welfare. Special Subcommittee on Arts and Humanities, available in PDF, EPUB, and Kindle, or read full book online anywhere and anytime. Compatible with any devices.

To Create the American Film Institute as an Independent Agency

To Create the American Film Institute as an Independent Agency Book
Author : United States. Congress. House. Committee on Education and Labor. Select Subcommittee on Education
Publisher : Unknown
Release : 1974
ISBN : 0987650XXX
Language : En, Es, Fr & De

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Book Description :

Download To Create the American Film Institute as an Independent Agency book written by United States. Congress. House. Committee on Education and Labor. Select Subcommittee on Education, available in PDF, EPUB, and Kindle, or read full book online anywhere and anytime. Compatible with any devices.

Film Art

Film Art Book
Author : David Bordwell,Kristin Thompson
Publisher : Unknown
Release : 2004
ISBN : 9780077108328
Language : En, Es, Fr & De

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Book Description :

Film is an art form with a language and an aesthetic all its own, and since 1979 David Bordwell and Kristin Thompson's Film Art has been the most repected introduction to the art and analysis of cinema. In the new seventh edition, Film Art continues its commitment to providing the best introduction to the fundamentals of serious film study - images throughout the book are collected from actual film frames, not from production stills or advertising photos - but the book has been extensively re-designed to improve readability and teachability. Additionally, the text can be packaged with the award-winning Film, Form, and Culture CD-ROM, and is supported by an extensive Instructor's Manual and text-specific website.

Reauthorization of Foundation on the Arts and the Humanities Act of 1985

Reauthorization of Foundation on the Arts and the Humanities Act of 1985 Book
Author : United States. Congress. House. Committee on Education and Labor. Subcommittee on Select Education
Publisher : Unknown
Release : 1986
ISBN : 0987650XXX
Language : En, Es, Fr & De

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Book Description :

Download Reauthorization of Foundation on the Arts and the Humanities Act of 1985 book written by United States. Congress. House. Committee on Education and Labor. Subcommittee on Select Education, available in PDF, EPUB, and Kindle, or read full book online anywhere and anytime. Compatible with any devices.

Antisemitism in Film Comedy in Nazi Germany

Antisemitism in Film Comedy in Nazi Germany Book
Author : Valerie Weinstein
Publisher : Indiana University Press
Release : 2019-03-05
ISBN : 0253040736
Language : En, Es, Fr & De

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Book Description :

Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein’s study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.

How to Read a Film

How to Read a Film Book
Author : James Monaco
Publisher : New York : Oxford University Press
Release : 1981
ISBN : 0987650XXX
Language : En, Es, Fr & De

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Book Description :

Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.

Hirschfeld s Hollywood

Hirschfeld s Hollywood Book
Author : David Leopold
Publisher : Harry N. Abrams
Release : 2001
ISBN : 9780810990524
Language : En, Es, Fr & De

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Book Description :

This fun and affordable book, which accompanies an exhibition at the Academy of Motion Picture Arts and Sciences, showcases Hirschfeld's artwork for movie posters, billboards, murals and theater displays. 115 illustrations.

Dictionary of Film Terms

Dictionary of Film Terms Book
Author : Frank Eugene Beaver,Frank Beaver
Publisher : Peter Lang
Release : 2006
ISBN : 9780820472980
Language : En, Es, Fr & De

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Book Description :

Textbook

The Film Paintings of David Lynch

The Film Paintings of David Lynch Book
Author : Allister Mactaggart
Publisher : Intellect Books
Release : 2014-05-14
ISBN : 1841503878
Language : En, Es, Fr & De

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Book Description :

One of the most distinguished ?lmmakers working today, David Lynch is a director whose vision of cinema is ?rmly rooted in ?ne art. He was motivated to make his ?rst ?lm as a student because he wanted a painting that “would really be able to move.” Most existing studies of Lynch, however, fail to engage fully with the complexities of his ?lms’ relationship to other art forms. The Film Paintings of David Lynch ?lls this void, arguing that Lynch’s cinematic output needs to be considered within a broad range of cultural references. Aimed at both Lynch fans and ?lm studies specialists, Allister Mactaggart addresses Lynch’s ?lms from the perspective of the relationship between commercial ?lm, avant-garde art, and cultural theory. Individual Lynch works – The Elephant Man, Blue Velvet, Twin Peaks, Lost Highway, The Straight Story, Mulholland Drive, Inland Empire – are discussed in relation to other ?lms and directors, illustrating that the solitary, or seemingly isolated, experience of ?lm is itself socially, culturally, and politically important. The Film Paintings of David Lynch offers a unique perspective on an in?uential director, weaving together a range of theoretical approaches to Lynch’s ?lms to make exciting new connections among ?lm theory, art history, psychoanalysis and cinema.

Film Art An Introduction

Film Art  An Introduction Book
Author : David Bordwell,Kristin Thompson
Publisher : McGraw-Hill Humanities/Social Sciences/Languages
Release : 2009-11-25
ISBN : 9780073386164
Language : En, Es, Fr & De

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Book Description :

Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of analytical skills that will deepen their understanding of any film, in any genre. Frame enlargements throughout the text enable students to view images taken directly from completed films, while an optional, text-specific tutorial CD-ROM helps clarify and reinforce specific concepts addressed in the text with the use of film clips. Building on these strengths, the ninth edition adds coverage of new technologies, updated examples, and references to the authors' acclaimed weblog to provide unparalleled currency and connect students with the world of cinema today.

Fields of View

Fields of View Book
Author : A.L. Rees
Publisher : Bloomsbury Publishing
Release : 2020-10-29
ISBN : 1838719938
Language : En, Es, Fr & De

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Book Description :

Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day. A seminal voice in film culture, Rees left the incomplete manuscript for this book on his death, and Simon Payne has subsequently carefully prepared the book for publication. Fields of View is an important work that establishes a unique perspective on experimental film.

Film Art and Filmart

Film  Art  and Filmart Book
Author : Michael D. Dahnke
Publisher : University Press of Amer
Release : 2007
ISBN : 9780761837213
Language : En, Es, Fr & De

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Book Description :

This work is a basic introduction to aesthetics and covers the major theories of art, while referring to various filmic examples to illustrate the complex ideas related to the philosophy of art. In addition, it addresses film itself as an art form, analyzes film studies, and discusses film's ambiguous cultural/artistic position. The overarching theme of the book is the most basic aesthetic question: What is art? That eternal and critical question is explored by addressing representation, formalism, and expressivism, three classic aesthetic theories. Film, Art, and Filmart begins by focusing on Plato, including a look at the issue of censorship as it is raised in his Republic. Then formalism is discussed via Kant, and Roger Fry's and Clive Bell's theory of Significant Form. Expressivism is dealt with by utilizing views by Leo Tolstoy and R.G. Collingwood. Contemporary issues in aesthetics are illuminated with George Dickie's theory of art, while also examining the cognitive theories of Nelson Goodman and Martha Nussbaum. The final chapter opens definitional structure up a bit by investigating the concept of freedom as integral to art and by straying from the largely analytic focus of the rest of the book through analysis of continental philosophers, such as Hegel, Nietzsche, and Foucault.

The Art of Crime

The Art of Crime Book
Author : Leslie Kane
Publisher : Routledge
Release : 2004-08-02
ISBN : 1135883564
Language : En, Es, Fr & De

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Book Description :

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

New Nonfiction Film

New Nonfiction Film Book
Author : Dara Waldron
Publisher : Bloomsbury Publishing USA
Release : 2018-08-09
ISBN : 1501322524
Language : En, Es, Fr & De

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Book Description :

New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the 'new nonfiction film,' and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.

Film Art and the Third Culture

Film  Art  and the Third Culture Book
Author : Murray Smith
Publisher : Oxford University Press
Release : 2017
ISBN : 0198790643
Language : En, Es, Fr & De

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Book Description :

In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.